I worked on The Mandalorian & Grogu for two years. My first role was as the LED content Supervisor where I oversaw a team of artists creating the many different real-time environments that were used for the Stagecraft virtual production shoot. In addition to supervising the team I was responsible for presenting our work to the client side key creatives for approval, before ensuring delivery to the stage team on schedule.

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Once the shoot had wrapped I transitioned to my role as VFX Environment Supervisor where I oversaw teams in our San Francisco, LA and Vancouver offices. The environment work was especially challenging as we had to create several highly detailed, complex sequences for IMAX in order to create maximum impact and visual flair for Star Wars fans to enjoy!